ALA Notable Books for Children
		The Arrival by Shaun Tan Publishers Weekly : Starred Review. With this haunting, wordless sequence about a lonely emigrant in a bewildering city, Tan (The Lost Thing) finds in the graphic novel format an ideal outlet for his sublime imagination. Via pencil illustrations that resemble sepia photographs or film cels, Tan depicts a man's poignant departure from his wife and daughter. Stark stone houses, treeless streets and rustic kitchen appliances imply past eras—the man leaves home via an outmoded locomotive and steamship—but strange visuals reveal this is not our everyday world. Shadowy dragon tails trawl the sky of the man's homeland, suggesting pogrom or famine, and when he arrives at an Ellis Island-style port (the endpapers depict passport photos of multicultural travelers), his documents are stamped with cryptic symbols. He gets aboard an unmanned hot-air balloon that delivers him to a vast metropolis with unfamiliar customs and bizarre technologies (imagine, perhaps, a Gehry-designed city). Tan offers no written explanations on this foreign space, so readers fully grasp the man's confusion when he lands a job pasting posters, then hangs them upside-down until his employer corrects him. Readers also understand his empathy for other exiles (each with their tragic stories of immigration) and with a friendly family that invites him to a meal of the local produce, which resembles exotic anemonae. In an oddly charming touch, each person has a distinctive animal companion, reminiscent of Philip Pullman's daemons or Hieronymus Bosch's alchemical creations. The man receives his own creature, a creepy-cute white monster with an egg-shaped torso, huge mouth and waving, eel-like tail; initially repulsed, he slowly warms to its amiable disposition. Just as gradually, his melancholy gives way to optimism and community as, despite setbacks, he benefits from the kindness of strangers. Tan adeptly controls the book's pacing and rhythm by alternating a gridlike layout of small panels, which move the action forward, with stirring single- and double-page spreads that invite awestruck pauses. By flawlessly developing nuances of human feeling and establishing the enigmatic setting, he compassionately describes an immigrant's dilemma. Nearly all readers will be able to relate—either through personal or ancestral experience—to the difficulties of starting over, be it in another country, city, or community. And few will remain unaffected by this timeless stunner. Ages 12-up. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms School Library Journal : Starred Review. Gr 7 Up—Tan captures the displacement and awe with which immigrants respond to their new surroundings in this wordless graphic novel. It depicts the journey of one man, threatened by dark shapes that cast shadows on his family's life, to a new country. The only writing is in an invented alphabet, which creates the sensation immigrants must feel when they encounter a strange new language and way of life. A wide variety of ethnicities is represented in Tan's hyper-realistic style, and the sense of warmth and caring for others, regardless of race, age, or background, is present on nearly every page. Young readers will be fascinated by the strange new world the artist creates, complete with floating elevators and unusual creatures, but may not realize the depth of meaning or understand what the man's journey symbolizes. More sophisticated readers, however, will grasp the sense of strangeness and find themselves participating in the man's experiences. They will linger over the details in the beautiful sepia pictures and will likely pick up the book to pore over it again and again.—Alana Abbott, James Blackstone Memorial Library, Branford, CT Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms ...More

New York Times Bestsellers
		Are You There, Vodka? It's Me, Chelsea by Chelsea Handler Publishers Weekly : At the age of nine, comedian Handler (host of her own cable talk show, Chelsea Lately) was already making up stories about all-night contract negations with Goldie Hawn and Kurt Russell to get out of English assignments-but then, what would one expect from a girl told by her parents, a week before her fourth birthday, to plan her own party? This funny, whip-smart memoir, the follow-up her sex-centric essay collection My Horizontal Life, chronicles Handler's ridiculous, gamboling life thus far, from her elementary school days-hounded by older girls for being less than wealthy, stuck at 12 babysitting an unruly 14-year-old with a wicked sugar addiction-to her sexually hyperactive, cocktail-swilling grown-up years. Handler's hard-headed sense of humor and maniacal wit get her through a number of difficult situations, including incarceration for a DUI, threatening to beat up a snotty teenager, and facing a breakup with one man while hiding another under her bed. But Handler also demonstrates an attuned sense of self and a keen eye for those around her that occasionally elevate her musings from mere hilarity to genuine poignancy-but not to worry, the only tears readers will shed are from laughter. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms ...More